Set in a fictional world, the story is about the psychological conflict between a king in a town and an extraordinary man, and how that man, through his cunning and master minded plans takes over everything, takes control of the entire town, becomes a dictator.

An AID (Artificially Intelligent Device) nanny named CC follows her programming to the letter of the code in order to protect her ward’s best interests.

20世纪影业已在开发一部《移动迷宫》重启新版电影，杰克·帕格恩(《超验骇客》)担任编剧，上个三部曲导演韦斯·鲍尔担任制作人。 　　据称，这部新片不是把《移动迷宫》原作的故事再拍一遍，也不是电影三部曲的直接续集，而是电影的某种延续，但回归第一部那些让观众喜爱有共鸣的元素。

20世纪影业已在开发一部《移动迷宫》重启新版电影，杰克·帕格恩(《超验骇客》)担任编剧，上个三部曲导演韦斯·鲍尔担任制作人。 　　据称，这部新片不是把《移动迷宫》原作的故事再拍一遍，也不是电影三部曲的直接续集，而是电影的某种延续，但回归第一部那些让观众喜爱有共鸣的元素。

The story of the Korean War is told through powerful color imagery, dramatic musical score and sound-scape. In the first episode, the summer of 1950 sees the people of Korea trapped in the vice-like grip of the beginnings of the Cold War, as the two new superpowers of the postwar world flex their muscles--the United States and the Soviet Union. In part 2 while the diplomats wrangle and the negotiators argue, the fighting in the blighted Korean countryside continues. Towns and villages lay in ruins, the hillsides and valleys are scarred by bomb craters, as negotiators attempt to handle the sensitive issue of the repatriation of prisoners of war.

The story of the Korean War is told through powerful color imagery, dramatic musical score and sound-scape. In the first episode, the summer of 1950 sees the people of Korea trapped in the vice-like grip of the beginnings of the Cold War, as the two new superpowers of the postwar world flex their muscles--the United States and the Soviet Union. In part 2 while the diplomats wrangle and the negotiators argue, the fighting in the blighted Korean countryside continues. Towns and villages lay in ruins, the hillsides and valleys are scarred by bomb craters, as negotiators attempt to handle the sensitive issue of the repatriation of prisoners of war.